How to recreate your own art? As I stepped into my art studio last week I realised what an unusually long period of time it had been since I had picked up a brush, mixed some paint or used my scissors. It had been almost two whole months. So I must admit I felt very out of practice and a little nervous as well. That’s why I decided to give myself something of a break and start of easy. Elaborating on some of my earlier works instead of wanting myself to create something new and unique immediately. This blog is about how I wanted to recreate my own art. How I failed miserably the first time and how I managed to succeed in the end.
WHY WOULD YOU WANT TO RECREATE YOUR OWN ART IN THE FIRST PLACE?
There are a couple of reasons why as an artist you would like to recreate your own art:
- You want to get back in shape after a long studio break and decide you want to elaborate on some of your earlier works.
- You’re quite fascinated by some of your earlier works and want to explore where you can take it in terms of theme, colour schemes, subject or size.
- You feel like you’re onto something with these artworks and want to know what it is exactly.
- The artworks themselves ‘ask’ for more. Like they are part of something bigger, or something different.
WHY I WANTED IT
In my case it was a combination of all the reasons above.
First, like I said, I wanted to give myself a break and ease into making art again after a long break.
Second, I wanted to explore where I could take my botanical abstracts in terms of art practice. Because ever since I painted them last summer I was fascinated by them. Not only by their final results but also and especially by how they came together. They were the results of the most care free art practice I had experienced so far and I loved everything about them.
Third, I wanted to discover what it was that made them so unique. Because care free art is the best. But if you can’t remember what it was you did or aren’t able to do it again then it’s just luck. Or so did I feel at least.
Fourth and final, I also felt the artworks asked for more. Like they were supposed to become part of a larger family of artworks. I already fulfilled their wish last year by making botanical sculptures. But they were very convincing: they wanted children of their own. And if art is speaking to you like that, the only thing you can do as an artist is to oblige.
HOW TO FAIL AT RECREATING YOUR OWN ART
So I got to work feeling quite confident. And I failed miserably. After six paintings I already knew I was heading in a totally different direction. But I wanted to use up my paints and keep on trying so I kept on working until I had twelve paintings. Twelve paintings that had absolutely nothing to do with the works I wanted them to resemble. The colours where off, the compositions didn’t work and I ended up feeling very frustrated that evening.
The next morning at breakfast we talked about it and how I didn’t feel very motivated to get back in the studio. Because, well, I couldn’t even make something I had already made before. What kind of complete loser artist was I?! But as we were talking about it, it became clear that I just hadn’t done my research properly. Using the colour theory by Johannes Itten we analysed the new paintings and compared them to the earlier works. We concluded:
- The colour schemes of the earlier works was tertiary, while the colour schemes of the new paintings was secondary.
- Furthermore, the tones in the earlier works were more grayed out, while the tones in the new paintings were more saturated.
- Composition wise the earlier works were more like complex collages with multiple layers, while the new paintings were much simpler with only two layers.
These three factors resulted in something completely different! So I had to get back to the drawing board. The frustration had grown into eagerness to get it right this time!
HOW TO SUCCEED AT RECREATING YOUR OWN ART.
This time I really looked at my earlier works: what colour combinations did I use? What composition choices did I make? Not taking anything for granted but really trying to understand my own work, my choices and my techniques.
After that I started mixing new colours. I used a lot of complementary colours to create the grey tones and tertiary colours. After that I decided not to just start painting but to sketch the compositions first. After that I coloured them in with my new colours and finally I got my results!
THE ART OF ELABORATING
What I’ve learned in the process of elaboration on your own art is that you will really get to the core of your art practice. It just won’t do to try to recreate things without really understanding them. Knowing what is going on with them. Elaborating on your art will give you such valuable insights into your own work I would highly recommend it to any artist!