BOTANICAL ABSTRACTS: CHECK OUT MY NEW CAREFREE ART EXPERIMENTS

Last month I have been experimenting with new botanical abstracts. They really feel like some sort of art family all together. A diverse art family consisting of oil paintings, wooden sculptures and also some lino prints very soon. Most exciting aspect of them? I made them from a completely carefree state of mind.

blue botanical abstract original oil painting by the fran visual artist 2020
green botanical abstract original oil painting by the fran visual artist 2020
yellow botanical abstract original oil painting by the fran visual artist 2020
red botanical abstract original oil painting by the fran visual artist 2020

BOTANICAL ABSTRACTS: OIL PAINTINGS

My botanical abstracts are four oil on canvas paintings of 40 x 50 cm. Their background colour compositions are derivatives from blue, yellow, green and red. With notable grey tones in all the colours. On top of these grey-ish colours I painted four different botanical abstacts in dark brown and dark yellow. The brush strokes are quick. You can see the swift energy of the gestures in the end result.

CAREFREE ART

And it is exactly that swift energy that I was only being able to add because I was working from a completely carefree state of mind. How did I reach such a state of mind? It was a combination of different factors:

Factor 1: I over-painted old work for these. I don’t know why, but by over-painting old work I always feel very relaxed and confident. Maybe it’s because of the absence of a white canvas staring back at you? Demanding great art?

Carefree art factor 1: over-painting old work

Factor 2: I didn’t have a clear plan with these at all. I just started fantasising about the colour combinations and colour compositions. It wasn’t very worked out before I started. I just went with my gut and it all felt very low profile.

backgrounds botanical abstracts the fran visual artist 2020
Carefree art factor 2: no plan!
background green botanical abstract the fran visual artist 2020

Factor 3: The botanical abstracts themselves I painted with ‘left over’ paints from my large Applecross panorama. Painting with left overs always makes me feel very ‘la la la’ and ‘let’s just see what happens’.

palette left over paints by the fran visual artist 2020
Carefree art factor 3: using left over paints

Just before I painted the shapes of the botanical abstracts I had been painting all morning. Working on my large Applecross panorama. So I was in the zone, so to speak. I was really enjoying it and I felt confident about finishing those other paintings. And so I just did.

large applecross panorama painting by the fran visual artist 2020
Carefree art factor 4: enjoying yourself + feeling confident

So that’s carefree painting for you folks, haha! I feel it really shows and I also feel like I’m really on to something here. Also in the context of finding my signature style and in respect to letting them go. Because I feel very strongly there’s more where this came from!

MATCHING WOODEN SCULPTURES

Like I said: there’s more where this came from. Wooden sculptures for instance! After finishing my paintings I suddenly found myself fantasising about wooden sculptures. I had been wanting to try out fretwork for a while and I made sure I had everything I needed. Fretsaw, wood, different kinds of saws, polishing paper. The only thing I felt insecure about were my fret sawing skills. So I asked Bob to teach me and after one hour of sawing it seemed like fret sawing isn’t nearly as hard as I expected it to be! Bob even dared to say that I am something of a fretwork prodigy. Who would’ve thought!

I am working on four different wooden sculptures. One to go with each of the paintings. I recreated the botanical forms in 3D and painted them in non-grey blue, red, green and yellow. Along with a medium that provides a ceramic/pearl effect.

blue botanical abstract wooden sculpture by the fran visual artist 2020
wooden parts drying on the floor
red botanical abstract wooden sculpture by the fran visual artist 2020

BOTANICAL ABSTRACTS LINO PRINTS IN THE MAKING

While I was working on the first wooden sculpture I couldn’t help myself… I was already dreaming about also adding lino prints to this family! I’ve always wanted to master the art of lino printing and cutting. But, just as with fretwork, I wasn’t very good at it at school. But after my uplifting experience in that part I thought: well, maybe I shouldn’t doubt my lino cutting skills as much! Shortly after I ordered a starting kit and I am waiting for it to arrive as we speak. Once it’s here and I’ll have something to show for it you’ll be the first to know!

MY LOVE AFFAIR WITH APPLECROSS

The last couple of weeks I have been working on my first large panorama painting. And I have made time lapse art videos of the painting process. In this post I have put them all together chronologically. So you can watch me paint autumn in Applecross. And see how it is all coming together. Scroll down to watch the time lapse videos. Read on if you want to know more about my love affair with Applecross. Or check out this blog post about all my new painting ideas first.

MY LOVE AFFAIR WITH APPLECROSS

I am painting a view from the Applecross cafe looking from inside into the autumn walled garden. The Applecross walled garden is by far my favourite place on earth. Especially in autumn. This painting brings back memories of our North Coast 500 road trip back in the autumn of 2017. We travelled 500 miles in 7 days. We saw some of the most magnificent views the Highlands have to offer. And on the 5th day we stumbled upon the hidden gem in Applecross. A walled garden. Adorned by creepers in red and yellow, trees with ripe red apples and with a cafe with an inside grape. Its vines all over the ceiling. On top of that there was a crackling fire adding smells of hot wood. And I had the best brie-bacon-raspberry jam sandwich of my life. If that doesn’t sound like paradise than I don’t know what will…

when my love affair with Applecross started
Applecross cafe (2017)

PAINTING AUTUMN IN APPLECROSS

So, I am painting autumn in Applecross. Because this year we weren’t able to visit our beloved Highlands. But as an artist there is always more than one path to a destination. So I decided to just paint the place I was longing for.

The stage it is in now: I have painted the autumn garden, but still need to add the arbour. Next step is to add the interior of the cafe and of course the inside grape hanging from the ceiling. You can follow my love affair on Instagram as well:

After that the only thing left to do is to make myself a cup of coffee and something resembling that delicious sandwich and pretending I am at the other side of the North Sea. Happy autumn!